I don’t think there’s a person on the planet that doesn’t know the words to ‘Yeah!’” “People want to party in Vegas, and there’s no greater soundtrack than Usher’s hits with their multigenerational and global appeal. “This is something we’ve wanted to do for a long time,” says Amanda Moore, senior vp Las Vegas residencies at Live Nation Entertainment. (It was originally scheduled to open last July, and completes a string of summer dates in August before returning in December.) He’ll be joined in town this year by returning residency headliners like Bruno Mars (whose Park MGM residency has grossed $29.1 million from 25 shows, according to figures reported to Billboard Boxscore) and Gwen Stefani ($22 million from 49 shows at Planet Hollywood Las Vegas), as well as Vegas first-timers like Perry and Carrie Underwood (whose shows will debut in December). And with nine Billboard Hot 100 No. 1s to his name - tied with the Bee Gees, Elton John, Katy Perry and Paul McCartney for the 10th most in the chart’s history - he is a fitting choice to help welcome back Vegas nightlife with one of the first major residencies since the pandemic began. Watching the lithe 42-year-old, even in rehearsal mode, is a reminder of the dazzling showmanship that set him apart from his pop and R&B peers when he first started scaling the charts in the 1990s. It makes perfect sense that Usher would end up on a Sin City stage. “But with this, I was given an opportunity to be a little theatrical, so I decided to make the show an evolution of all my work.” “I always put so much effort into the choreography of these songs and the emotional aspect,” he says. He powers through some of his early-2000s hits in quick succession: “Lovers and Friends,” “Bad Girl,” “My Boo,” “U Remind Me.” Later that night, in a black-and-white backstage suite that was originally built for Céline Dion - it includes a dressing room, a kitchen, a conference room and a separate garage housing his motorcycle - he says he has been relishing the creative freedom of a residency like this. Against a backdrop of a neon-lit city skyline that stretches the width of the massive stage, the superstar and his dancers - including several zipping about on skates - gyrate around a dozen floor-to-ceiling pillars that give the roughly 4,300-seat theater some added drama. People - more.He’s wrapping up the first day of rehearsals with the full cast and crew for his first Las Vegas residency, which will open in just 10 days, on July 16. The hours are very long for these events, so you will be at home at 1.Īnd of course there is customer service that goes along with it. If you pick the other events and choose shuttling, you will arrive very late into the night. They give only half price on their food venue and so food is just regular priced as the venues over price their food one purpose. So red tape can happen or the management suddenly send an email an hour before you have to leave.Īt the event though, mostly they are very good, except for concord doesn’t do in person meetings. So far all of communication has been done through email, and sometimes the management does not respond immediately. The cons, is the lack of communication and there is some disorganization from management. Employees say they include the shuttling to your pay. The bus is free at the pavilion to shuttle to and from the event. You can pick any show, and even the ones that goes to other venues. Concord allows you to see the show after for free but being the usher is the best and easiest, and you get to watch the show. The supervisors who are at the events, give out a decent amount of snacks and are very friendly.Īs an user, you get the best job, of just checking their tickets and showing their seats and you get the best viewing of the concerts that would of cost anywhere between $100-$1000s. It’s a good inbetween jobs if you need cash. So far, Livenation has continuously impressed me, and I’ve been at a lot of retails jobs, and this one is just very fun.
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